"Appleknockers Flophopuse" b/w "Because of illness" by Cuby + Blizzards, Philips JF 336 071 (1969)

The title song of their forthcoming album of the same name was the first single with Helmig van der Vegt on keyboards replacing Herman Brood. To this day guitarist Eelco Gelling claims this was "the beginning of the end" as the band with out of balance with three virtuoso instrumentalists from Blues Dimension in the band.
"Appleknockers Flophouse" is a slowed-down heavy rewrite of the band's first single "Stumble and fall" down to the key (C) and most of the chord changes. The B-side is an instrumental 12-bar, judging from the title recorded because singer Harry Muskee was too ill to record.
The sleeve was a portrait of Helmig pasted onto a publicity picture that originally had Herman Brood sitting down in the bottom. During this period Harry Muskee took to dyeing his hair black.
Rating: ***

"Nostalgic toilet" b/w "116A Queensway" by Cuby + Blizzards, Philips JF 334 650 (1968)

This was a strange single. It crept into the lower regions of the Dutch Top 40, probably on the strength of the B-side. It seems Alexis Korner lived at 116A Queensway in the Bayswater area in London, but when I went there in 1972 he didn't or at least: not anymore. The A-side had a melody I can't even remember up until this day. But Queensway had great guitar work from Eelco Gelling, the main attraction of C+B. Last thing the band recorded with Herman Brood on piano until his return for the Farewell concerts in 1973 and 1974.
Rating: ***

Dead links

Due to the closure of Megaupload all of the links to my singles are dead. I'll be considering how to proceed.

Embassy label - The Typhoons - Beatles hits 1963/1964

This month a series of budget cover versions. These records were released mainly between 1960 and 1966, although in the UK the Top Of The Pops series continued deep into the 1970s.
One of the most collectable labels became Embassy. It was the houselabel of British department store Woolworth and their "beat group" were The Typhoons. In fact, there was not such a group as The Typhoons. Their "lead singer" was a session singer called Ray Pilgrim, a former big band singer, who also recorded under dozens of aliases. For the rest The Typhoons were whoever was available for a session in the Oriole studio in New Bond Street (London).
Oriole was taken over by CBS in 1965 and soon after Woolworth decided to stop selling budget records as the standard of living was rapidly rising and people could afford "the real thing".
Ironically CBS revived the Embassy name for a series of budget albums (by the original artists) most of them reissues of CBS albums.

Rating: ***

Discofoon label - The Bottles - Beatles hits 1963 - 1964

There were many Beatles covering "beatgroups" in the 1960s and one of those had the not so original name The Bottles. Records by The Bottles were released on the Discofoon label from The Netherlands (some also were sold on the Belgium market on the Smash label). Discofoon was the houselabel of department store chain Vroom & Dreesmann (V&D). They leased tracks from both the British Embassy label (CBS) and the Top Six label, which was controlled by Pye records in the UK.



The Bottles recordings came from Top Six, but the UK releases were anonymous, so in England nobody knew about The Bottles. Those tracks were also released by the German Pye distributor Deutsche Vogue in an LP series on the POP label called Original Beat aus England (aus=from). Bottles tracks appeared on those LP's under names like The Beat Kings when they were covering the Beatles, but The High Tops sounded conspicuously similar.
The Bottles were one of the best Beatles cover bands at the time. Their version of I wanna be your man beats both The Beatles and The Rolling Stones versions.

Rating: ****

Cannon label - Beatles hits 1963 - 1964

Like Top Six the Cannon label released six track EP's. The Cannon label was set up by Australian Allan Crawford in the early Sixties. Crawford also worked together with Ronan O'Rahilly in setting up Radio Caroline and was involved in music publishing company Southern Music. This label has become the rarest of all the budget cover labels as future star singer / songwriter / producer John Carter sang on a lot of the tracks. Carter (under contract to Southern Musci) sang in Carter/Lewis & the Southerners (with Jimmy Page on guitar) and The Ivy League, then proceeded to write/sing/produce hits under aliases like The Flower Pot Men (with his Ivy League partner Ken Lewis), Kincade (Dreams are ten a penny) and First Class (Beach Baby). He also co-wrote Mary Hopkins's Eurovision entry Knock knock who's there and sang the hit Winchester Cathedral. Between 1962 and 1964 he recorded for Cannon under such names as Frank Bacon, The Baconeers, The Bell Boys and The Sparrows, concentrating on hits by The Beatles, Gerry & the Pacemakers and Freddie & the Dreamers. In 2010 the RPM label released two download only albums with tracks sung by Carter (digitized from records from Carter's private collection) from which a six track Beatles compilation included here.

Rating: ****

Fonodisc label - Beatles hits 1964 - 1965

The label I know the least about is Fonodisc (confusing: Discofoon and Fonodisc). The Beatles hits were covered here by The Stars. Where the recordings came from remains a mystery. The pronunciation of the lyrics sounds British, but the audio quality of the records is tinny. Obviously these recordings were made with less professional musicians. The Extended Play records (4 tracks) were also relatively expensive at Hfl. 3,95 (the same price of a regular single), but they had stylish full colour sleeves with ladies in cocktail dresses or dancing teenagers and they were sold in sealed plastic outer sleeves in supermarkets and petrol stations.

Rating: **